Obviously, this is physically impossible, so I contacted Apogee's technical support to see what was going on. I hope you're wrong. To get started, simply install the Ensemble's software — although, as always, it's probably a good idea to make sure you download the latest version from Apogee's web site, rather than using any supplied versions. If you need pres on a budget, get something like the Mackie onyx (the 8pre rackmount one) or something equivalent like the presonus digimax fs. The Ensemble is designed to work exclusively with Mac computers, and, as such, has a brushed-metal appearance that sits quite happily alongside a Mac Pro, Cinema Display, iMac, or MacBook Pro. Answer: No. One routing improvement that's been made since our last review is that it's now possible to route one hardware input to multiple software inputs, and, similarly but perhaps more usefully, it's also now possible to route one software output to multiple hardware outputs. What's especially neat about the headphone outputs is that they're completely independent, both in terms of level and in terms of which pair of the Ensemble's outputs they are assigned. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. The remaining four inputs (channels 5-8) support line-level signals via TRS connectors, and an additional eight TRS connectors provide eight analogue outputs. While this is a somewhat pedantic point in respect of what is a pretty well-designed front panel (especially the colour-coding of the LEDs), I really wish it was possible to configure the Main output encoder to mute on a simple press, rather than a simple press switching the selected output for level adjustment. A status LED on the front of the Ensemble lights up in blue if the device is successfully connected to your computer, or green if it's working in stand-alone mode without a computer connection. Apogee Software Download Links Current Products macOS/iOS Symphony Desktop | macOS Installers Duet | macOS/iOS Installers Quartet | macOS/iOS Installers ONE macOS/iOS Installers Symphony I/O Mk II | macOS Installers Ensemble | macOS Installers Element Series | macOS Installers Please note HypeMiC, MiC+, Jam+, ClipMic digital do not require software for operation. There are also phase-invert and 48v phantom power toggles, and you can also set whether to disable a preamp and use line level for an input instead. I have a feeling that the low latency performance specs with Symphony and a Mac Pro are mostly due to the Mac Pro, and that a Symphony is needed IF you are recording many multiple tracks at once (as in an orchestra session). A 'line out' mode is also available, which effectively disables the main output volume functionality and makes the eight analogue outputs behave as independent line outputs. Symphony 32 is only supported up to Mac OS X 10.6.7 (not 10.6.8). Please correct me if I'm wrong -- Ensemble/Mac Pro owners please speak up. The 1U enclosure is about the same size as an AD16X or DA16X converter, and although this is a really minor point, I wish Apogee had made the rack ears removable (as with other interfaces such as the RME Fireface 800 or Prism Orpheus). I think this will become evident after the new year and these systems are more prevalent. The Fireface 800 is slightly cheaper, but offers 10 analogue inputs and outputs, along with a second ADAT input and output, while the Orpheus is basically Prism's answer to the Ensemble, but with a price tag equivalent to more than the costs of two Ensembles. Though no stranger to the audiophile community, Apogee is one of the first pro-audio manufacturers to incorporate it into an interface and, in addition to Symphony I/O, it is utilized in Duet 2, Duet for iPad & Mac, Ensemble and Quartet interfaces. With ultra-low latency performance, comprehensive studio functionality and legendary Apogee quality, Ensemble is the ideal choice to meet the diverse demands of the professional home or commercial studio. IMO, well worth it. Each preamp has a gain control, and a particularly useful feature is the ability to assign each preamp to one of two groups, enabling gain adjustments to be linked between preamps assigned to the same group. Legacy Apogee interfaces donʼt include Loop clock functionality (as found on Symphony I/O). Once successfully connected, you can set the Ensemble to be the default audio input and output for your Mac in either Audio MIDI Setup or the Sound System Preferences Panel. The first eight of these can show either the level of the analogue inputs or outputs, while the last two are labelled D1 and D2, and show the presence of signal in either the coaxial or optical digital I/O respectively. ... Apogee DUET 2 Vs Apogee Rosetta 800 + API 3124 with Beyer M160 Ribbon Mic - Duration: ... Apogee Ensemble … Otherwise I wouldn't be going this route. I think I used to be more about the bleeding edge. The views expressed are those of the contributors and not necessarily those of the publishers. I would like to hear from anyone that owns either of these interfaces and have used it not only to record but to also mix out of. Beginnen wir ausnahmsweise mal mit den Features für Gitarristen. For example, they've released a firmware update that allows the Ensemble to work as a stand-alone converter when not attached to a computer. You may login with either your assigned username or your e-mail address. However, this isn't a big deal, since most native audio applications, such as Logic Pro 8 and Cubase/Nuendo 4.1, are now able to support this style of routing (where audio buses can be used as the inputs to audio tracks) without hardware assistance. MOTU has done some informal testing on the Mac Pro and they are reporting incredibly low latency performance too. Some people might find the selection behaviour more useful (if they use headphones), but I wish Apogee would provide a quick mute option for those who might prefer it. Monster Studio Pro 1000 cable pretty much in and out of everything. We looked at Symphony in last September's SOS, and although it might seem a little late in the day to be looking at the Ensemble, Apogee have actually been consistently improving the product since its original release (which included beta drivers) last year. Do Apogee’s Thunderbolt products (Element 24, Element 46, Element 88, Ensemble Thunderbolt, Symphony I/O MkII Thunderbolt, and Symphony 64 Thunderbridge) work with the 2015 and 2016 12″ MacBook? On the Ensemble Thunderbolt and Symphony I/O MkII it is much more important to have Thunderbolt 2, because those units are passing far more channels, up to 64 channels with two Symphony I/O MkII units in multi-unit mode. I have a FireFace and was considering moving up to an Ensemble until it appeared that that would be more of a move sideways than up, and a bumpy move at that. This means that you can easily recall whatever mic-pre settings you had for a given Project, by simply clicking the 'Recall Setup from Project' button in the Control Panel once you've loaded up a previous Project. Like Symphony, the Ensemble is also supplied with Apogee's Maestro software, which is used to configure the onboard routing and settings. How to Record Acoustic Guitar and Vocals at the Same Time Februar 17, 2016 - 1:02 pm; Hear More Goosebumps (Featuring Harrison Kipner) November 18, 2015 - 12:12 pm Apogee and Waves Offer up to 60% off Popular Waves Plugins November 3, 2015 - 12:33 pm If you want a nice vocal, you gotta look at every part of your vocal chain, and you might sacrifice more than you think by getting an ensemble just because you save some money on buying seperate pre's and such. Also featured on the front panel are two rotary encoders, one for controlling input levels and the other for output, and each show level via a ring of bright white LEDs. In terms of audio quality, you would expect the Ensemble to be of a high standard, and it certainly doesn't disappoint. Apogee Ensemble | Full Specifications: Sound Type: Stereo, Analog 3.5mm output: 8, Analogue RCA outputs: 0, Headphone output: yes, The input encoder allows you to set the gain for the mic preamp on the currently selected input, and you can set the current input by pressing the input encoder, which toggles through a set of blue LEDs to the right that indicates the selected input. Although the Ensemble works with any Core Audio-compatible software on Mac OS X, Logic Pro users are especially lucky as Logic incorporates an Apogee Control Panel (accessible from the Options / Audio menu) that allows you to adjust the Ensemble's settings within the application. The only real issue I have with my Ensemble is that I can't use the thing at 88 or 96k without crashing. Get the Symphony/Rosetta 800 and be done with it. Also, depending how serious you are, you're probably going to want an outboard mic pre anyways. An update to what I finally ended up with.... Maybe someone can help me out related to this Ensemble vs Symphony deal. For example, headphone port one could be set to the output of analogue outs 1 and 2, while port two is set to 3 and 4. MOTU has done some informal testing on the Mac Pro and they are reporting incredibly low latency performance too. In my case I was considering a similar choice. For digital connectivity the Ensemble has input and output TOSlink optical connectors for either ADAT or S/PDIF input and output, in addition to regular coaxial S/PDIF, and there are also word-clock BNC connectors, along with a push switch so that the Ensemble can optionally self-terminate an incoming word-clock signal. The concert took place at the Walt Disney Concert Hall in Los Angeles. This is great if you want to create different headphone mixes, for example. The front panel is clearly laid out and features 10 plasma-style meters. This changed at the 2006 NAMM show, when Apogee announced Symphony, a PCI-based system for handling a large amount of I/O with low latency via the company's AD16X, DA16X and Rosetta-series converters, and Ensemble, Apogee's entry into the Firewire audio interface market. Apogee's helpful manual shows the Ensemble being connected to a Mac prior to being powered up, although it doesn't seem to explicitly warn against doing this the other way around, which is what I would normally do, as I'd leave the Ensemble in stand-alone mode when not connected. High-end digital converter manufacturers Apogee are Apple's audio partner of choice, and their latest Firewire interface is aimed squarely at Mac users with a taste for quality. A second point on which the Fireface and Orpheus score is that both offer a MIDI input and output port as well. Pressing and holding the output encoder for a few moments will mute the Main and headphone outputs, and the LED to represent whichever output was selected will start flashing to indicate the mute status. Gearslutz.com - View Single Post - Symphony drivers with 2ms Latency. The Symphony MkII’s preamp controls as they appear in Logic Pro X. Having more than one Duet or Quartet connected to a Mac may not be as common as having multiple Symphony I/Os or Ensembles connected, but the ‘Device ID’ buttons are there for each product, just in case. Q. Jeez, if Max said results were similar on a dual 2.0ghz G5, then that's not good (where did you read that?). How low can you set your buffers with a good dose of plug-in, VIs, etc.? One thing to bear in mind, though, is that while Symphony and the Ensemble both make use of the Maestro software, certain Symphony features, such as the V-Bus routing, are not available on the Ensemble. Like Symphony, the Ensemble is also supplied with Apogee's Maestro software, which is used to configure the onboard routing and settings. Current Price & More Info https://amzn.to/2taMLVF Apogee Ensemble Thunderbolt 2 - Is One Of The Best Audio Interface Of 2020! Ask Apogee - Symphony I/O vs. Quartet and Duet Apogee Electronics. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. Thus you will find exactly the same roundtrip latency time on Elements as Ensemble Thunderbolt, regardless of Thunderbolt 1 vs 2. Hey all, About to pull the trigger on either the Apollo x8 or the Apogee Symphony Mk2 and wondering if anyone has heard side by side comparisons or has any info on the differences between the convertor quality of the two interfaces seeing as the new Apollo line up have improved convertors. The Ensemble goes into standby mode when it's connected to a power source, and, perhaps unsurprisingly, pressing the power button on the front panel powers up the unit for operation. Good luck!! This would have made the unit look a little more at home on your desk, if it's not in a rack, and stop it from snagging on a bag when being packed up for mobile usage. There are also two quarter-inch headphone jacks on the front panel, and, as with the input encoder, pressing the output encoder allows you to set whether you're adjusting the level for the Main output, or one of the headphone outputs (as indicated by another set of blue LEDs). Although this behaviour keeps consistency with the input encoder, I found the press-and-hold action for mute annoying, because I would use mute all the time, whereas selection of headphone outputs was something I rarely (if ever) needed to do. I betting that if or when Ensemble's development achieves the performance which the designers sought to achieve, the disparity in software monitoring latency between Symphony and Ensemble setups will be miniscule. While this is functionally no different to using Maestro in conjunction with any audio application, the neat thing is that the settings for the Apogee Control Panel in Logic are stored with your Project. There's DSP on the card that deals with passing audio, sorry, maybe we shouldn't use the term DSP, I don't know. I create my tracks primarily ITB, then add bass/gtr/vox overdubs and will never be recording more than a stereo pair at a time. I know it wasn't *the same*, but I know the latency was still quite low and quite impressive. In this case your Mac will probably kernel panic and the Ensemble will go into stand-alone mode. I was told that the Ensemble is heads and shoulders above the Duet. https://www.gearslutz.com/board/showpost....7&postcount=50. All four inputs have both XLR and high-Z (high impedance) TRS connectors, although the high-Z inputs for the first two channels are usefully located on the front of the Ensemble, which makes room for the additional send and return insert TRS connectors Apogee have provided for the first two channels on the back. The second port is handy if you want to daisy chain other Firewire devices. The mic preamps are equally impressive. Maestro is capable of controlling Apogee hardware I/O connected to the computer via FireWire, Symphony (Apogee’s PCI Express card) or both at the same time. I am aware that the conversion quality is supposed to have better numbers in the Symphony. Apogee-Produkte wie Duet, Quartet, das erste Ensemble und Symphony I/O sind bei professionellen Toningenieuren weltweit die erste Wahl und kommen daher bei zahlreichen GRAMMY® und OSCAR® prämierten Aufnahmen zum Einsatz: In den letzten zwei Jahrzehnten galten sie als Industrie-Standard für die professionelle Audioaufnahme. Now you have me nervous :-). Session Notes: Recording Voiceovers At Sea, Distant City Studios - A Drum Room With A Difference, Mastering Essentials Part 6 - Final Delivery: Requirements & Specs, Re: The All-New Behringer Keyboards 'n' Stuff Thread, Re: Centred mono signal appears to the left, The All-New Behringer Keyboards 'n' Stuff Thread, Low Watt Guitar Amp for Recording at Home. It's about a thousand bucks more for a rosetta200/symphony combo plus a pre, over the ensemble. USB Mics - We Figured Out Which One You Should Buy? 10:06. Up to 32 buses can be created per Symphony card, and these allow the transport of audio between Core Audio applications, or even within applications. Matthew -- well I'm looking forward to your report. When you adjust the volume using the Mac keyboard or the menu bar extra icon, you're then actually adjusting the Main volume on the Ensemble, and the Ensemble's output-level LED ring on the main output stays in sync with your Mac. It has made my decision all the easier. Apogee Symphony Desktop vs UAD Apollo Twin X Specifications. Unlike those found in the Ensemble Thunderbolt and other lowlier Apogee interfaces, the Symphony I/O’s preamps apparently use fully differential … Symphony I/O Mk II Thunderbolt. Apogee’s Ensemble (Resolution V6.3). Again, this might not be important to you, and Apogee's focus is clearly on providing best-in-class audio functionality; but it does seem a shame that for mobile use you may need to pack a MIDI interface alongside the Ensemble. Apollo x8 vs Apogee Symphony?? This makes it very easy to create headphone mixes without the need for any additional hardware. In terms of audio, the Ensemble has eight analogue inputs, and the first four can accept either a line- or mic-level signal, thanks to the built-in preamps. Now I just want things to work. In diesem Test erfährst Du alles Bemerkenswerte in Sachen In- und Outputs des Apogee Ensemble Thunderbolt. I think this will become evident after the new year and these systems are more prevalent. IMO if you want to go above the prosumer level you gotta go with the symphony and a rosetta. However, if you exclusively use Macs, this obviously won't be an issue. All rights reserved. So steht den zwei hochohmigen Eingängen je ein Ausgang zur Seite, der zum Durchschleifen der Gitarren- und Bass-Signale geeignet ist – gut zur parallelen Weiterleitung an Effektpe… Apogee is announcing a number of new products at NAMM 2020 including the Symphony Desktop 10x14 Audio Interface, Symphony I/O Mk II Connect Series, Apogee Network Control Software for Symphony I/O Mk II Dante, Rent-To-Own Apogee FX Plugins as well as Apogee FX Rack Dual-Path V1.0 for Element Series and Ensemble Thunderbolt software now being available. Apogee says that the design of the power regulators borrows custom elements from the flagship Symphony system [Tape Op #87, #99] (more details on that are available on their site). The only real problem I encountered when testing the Ensemble was when I decided to see if the record offset latency was handled correctly. The output encoder sets the level for the main output, and a really nice touch is that the Ensemble's software (see the 'Maestro' box) lets you configure whether the Main output is stereo, 5.1, or 7.1. While Apogee were already well known in the industry and acclaimed for high-quality converters, master clocks, and the UV22 dithering algorithm, the company had arguably only dipped their toes into the world of computer-based recording, with products like MiniMe and various Firewire or Pro Tools expansion card options. From what I understand Symphony does this. The rear panel sports sockets for the Ensemble's eight analogue inputs and outputs, along with connections for ADAT and S/PDIF, word clock and Firewire. Not compatible with Windows, which could frustrate Boot Camp users, or indeed PC users. Good-quality audio converters and preamps, as you would expect. Everything I read about it (and after having talked with Apogee tech supp) suggests that having a Mac Pro is vital. This works the same way as it does with Apogee’s other interfaces (One, Duet, Quartet, Ensemble and Symphony I/O), where an Audio Devices row is added to the mixer’s channel strips — this is also available via an Inspector’s channel strip. Therefore, the advantage of stepping up to Symphony will be 1) the i/o throughput capabilities even at high sample rates 2) the higher quality AD/DA, and 3) Simply, the ability to have connected 96 channels of conversion, reliably, on a native system. One area where the Fireface and Orpheus have a distinct advantage over the Ensemble is that they also offer Windows support, which could be important if you run Windows on your Mac via Boot Camp, or have additional Windows-based computers to which you'd like to attach a Firewire audio interface on occasion. A feature unique to Symphony is the ability to create virtual buses (VBus) within the architecture. The status LED also has the potential to illuminate in red if you're really unlucky, and this can happen if you plug the Ensemble into your computer and a successful connection can't be established. Apogee Symphony Desktop: Finally..a Pro iOS interface? If you have […] All contents copyright © SOS Publications Group and/or its licensors, 1985-2021. Unless you really really need the portability Firewire provides, gotta go with a pci(e) system. In this video, I compare my top 2-4 channel audio interface picks: the Apollo Twin & the Apogee Duet 2. I think that reference above was made before the new high performance drivers were available. They only have a USB-C port. You buy a card with that much DSP on it and with that high of a price tag, you're buying it to help support your computer's CPU, not rely on it. S/MUX mode is supported for ADAT operation with the TOSlink connector, which can provide four ins and four outs at 88.2/96kHz. The 2015 and 2016 12″ MacBook, shown here, do not include a Thunderbolt port. Two white LEDs to the right of the meters indicate whether the metering represents either the audio input or output of the interface, and it's also possible for the meters to be disabled if they should become distracting. Question: Q: Apogee Ensemble vs Apogee Duet. While the difference was admittedly subtle compared to my trusty Fireface 800, the Ensemble seemed to have a little more depth, with fractionally more space at the top. Logic Pro includes an Apogee Control Panel where you can access and store the Ensemble's settings directly from your Logic Project.Photo: Mike CameronThe supplied Maestro software serves two purposes: firstly, to provide hardware mixing and routing capabilities so that hardware inputs can be routed directly to hardware outputs; and secondly, to allow you to access and configure all of the Ensemble's internal settings. On connecting one of the Ensemble's analogue outputs to one of the analogue inputs and recording a test signal (a click), I noticed that the input signal would be placed as if it was recorded before it was technically played. Win! Each input and output level can be set to use a +4 or -10dB line-level signal (instead of a preamp on the first four inputs) and Apogee also provide SoftLimit, an analogue limiter that allows an extra 4dB of headroom, which can be enabled on any of the eight analogue inputs. I'd say it all comes down to cash at this point, mon ami. The Ensemble brings Apogee's hardware and software technologies to an easy-to-use, high-quality Firewire audio interface. I just ordered a symphony set up mostly because of the latency specs. PASSENDE NEWS. You've narrowed down the pros and cons pretty good, and now you have to decide what you want to spend. Symphony Control: Clicking on Insert Labels resets unit and blanks or crashes; Logic 10.5.1: Channel strip not fully functional can’t select Inst, -10 and High shelf is grayed out; Clock source is not properly indicated in Symphony Control; Ensemble and Element Series Even though I do 99% of my work at my desktop, I like the flexibility to be portable. The competition in the Firewire audio interface market is fierce these days, no matter what your budget, and the most obvious competition for the Ensemble is perhaps RME's Fireface 800, Metric Halo's Mobile I/O and Prism's Orpheus. For example, it’s possible to Apogee ensemble vs. symphony Hi guys and gals, I have been trying to wrap my head around all of this and I am getting ready to update my studio on Friday that's 12-15-06 and I am really not sure of what I … When I was weighing the options, the Ensemble won over Symphony only because Apogee mentioned no plans for an Express card version of Symphony for laptops. Ultimately, though, despite a few remaining driver issues, Apogee have done a great job with the Ensemble, incorporating high-quality audio components into a Firewire interface that's easy to use, integrates well with Mac OS X (and Logic Pro), and offers flexible routing via the Maestro software. Question: Q: Apogee Ensemble -vs- Apogee Rosetta (200 or 800) I am in the market to purchase one of these interfaces. A typical use-case: You have 2 Symphony I/Os connected to one Mac and both are showing up in Apogee Maestro. They'll be good enough to do high quality audio, and you can add the boutique pres later on. And one of the headphone jacks went, even though I don't use them and plug into a dedicated headphone amp system (they worked during installation). At first glance the Symphony seems phenomenal (As I have always HATED latency and DREAM of tracking through plug-ins without stutters, clicks, pops, etc.) Dose of plug-in, VIs, etc. Desktop: Finally.. a Pro iOS interface need... 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